Tag Archives: allison janney

Trailer Talk: High School Reunions, Scottish Princesses, Pregnancy And A French Romance

The end of the world, Bollywood Bond, Stifler returns, confused teens, Scottish princesses, sexual fetishes, French romances, really rubbish horror, really amazing fight scenes, high school papers, sleeping around, pregnancy, lots of Gods and stunning child’s play – let’s talk trailers: Continue reading

The Great Trailer Debate – Week 2

Ok. Week 2. Thanks to everyone who checked the first one out last week and who got in touch through Twitter, etc. Make sure you keep letting us know if you agree with what each week has to offer – love a good argument!

This week we check out Goon, Journey 2: The Mysterious Island, Snow White And The Huntsman (TRAILER OF THE WEEK!), Haywire, Safe, The Phantom Menace 3D and A Thousand Words. Later on today the trailer for The Hunger Games will be released. Very exciting. But we will recap that next week! Continue reading

Review: The Help (2011)

DIRECTOR: Tate Taylor.

CAST: Emma Stone, Viola Davis, Octavia Spencer, Bryce Dallas Howard, Jessica Chastain, Ahna O’Reilly, Allison Janney, Anna Camp, Eleanor and Emma Henry, Chris Lowell, Cicely Tyson, Mike Vogel, Aunjanue Ellis, Sissy Spacek, Ted Welch, Leslie Jordan, Mary Steenburgen.

SYNOPSIS: Set in Mississippi during the 1960s, Eugenia ‘Skeeter’ Phelan (Stone) is less concerned about finding a husband than her friends, desperate to become a respected writer. Troubled by the way the black women who work in her friends’ homes are treated, Skeeter turns to Aibileen Clark (Davis), asking her to disclose the truth about what really goes on behind closed doors. With others reluctant to help at first, Skeeter finds herself on the road to discovering some of the community’s best-guarded secrets and exposing the town during the civil rights movement.

Set amidst the events of the civil rights movement, for all its laughs and light heartedness, The Help deals with some incredibly traumatising events – albeit in a 12A fashion. This is bled into the second half with great ease and is a very impressive transition from the fun, caricatured portrayal of American society from the first half. Although we don’t see any mass violence, we see people escaping it, running for their lives and sporadic mentions of Jim Crow and similar figures ensure the harsh reality remains an ominous shadow over the film. Continue reading